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Mindshare Polska zbadało jak oglądamy wideo online media-internet

Mindshare Polska zbadało jak oglądamy wideo online

  • 19, listopad 2019
  • Maciej Florek

40 proc. polskich internautów ogląda materiały z serwisów VOD co najmniej raz w tygodniu.

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HBO Go drożej marketing

HBO Go drożej

  • 23, październik 2019
  • Maciej Burlikowski

Miesięczna opłata abonamentowa wzrasta z 19,90 do 24,90 zł.

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Plus wprowadza abonamenty komórkowe z HBO Go, Tidalem lub Ligą Mistrzów marketing

Plus wprowadza abonamenty komórkowe z HBO Go, Tidalem lub Ligą Mistrzów

  • 24, kwiecień 2019
  • Maciej Burlikowski

Cena takiego abonamentu to 70 zł miesięcznie.

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HBO: Będzie trzeci sezon "Watahy" media-tv

HBO: Będzie trzeci sezon "Watahy"

  • 17, grudzień 2018
  • Piotr Machul

Zdjęcia do produkcji rozpoczną się w lutym przyszłego roku.

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Showmax kończy działalność w Polsce media-internet

Showmax kończy działalność w Polsce

  • 12, grudzień 2018
  • Maciej Burlikowski

Wprowadzony w 2017 r. serwis sVoD zostanie decyzją właściciela zamknięty 31 stycznia.

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PKP Intercity świętuje niepodległość marketing

PKP Intercity świętuje niepodległość

  • 09, październik 2018
  • Joanna Niewiadomska

Po torach jeżdżą biało-czerwone lokomotywy z okolicznościową grafiką, a na profilach społecznościowych PKP Intercity trwa konkurs.

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Najpopularniejszym serwisem VoD wśród polskich internautów jest cda.pl media-internet

Najpopularniejszym serwisem VoD wśród polskich internautów jest cda.pl

  • 29, czerwiec 2018
  • Magdalena Soroczyńska

Na kolejnych miejscach są Player i Ipla. Mindshare Polska zbadał konsumpcję wideo online na tle telewizji.

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HBO Go dostępne bezpośrednio przez hbogo.pl media-internet

HBO Go dostępne bezpośrednio przez hbogo.pl

  • 27, marzec 2018
  • Joanna Niewiadomska

Polscy widzowie mają bezpośredni dostęp do oferty przez nowy serwis.

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"Netfilm" - nowe pismo dla użytkowników VOD media-prasa

"Netfilm" - nowe pismo dla użytkowników VOD

  • 22, luty 2018
  • Joanna Niewiadomska

Magazynem wydawnictwa Bauer pokieruje Artur Kosiński.

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2 mln Polaków ma Adblocka i jednocześnie nie korzysta z telewizora reklama

2 mln Polaków ma Adblocka i jednocześnie nie korzysta z telewizora

  • 07, grudzień 2017
  • Maciej Florek

SW Research i ScreenLovers przebadali "kontrreklamowych".

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MAPY MMP

Sklep.media.com.pl

  • Media & Marketing Polska nr. 10/2019. 👉 W numerze: Lider bez zadyszki - mówi Arkadiusz Gwizdek, marketing director, Škoda. Raport Internet i innowacje 2019, Mapa influencerów gamingowych i technologicznych 2019. ℹ️ 98 stron o marketingu z pasją.
  • Raport Nadawcy 2019. 👉 Gdyby Walt Disney zmartwychwstał. Raport redakcyjny ℹ️ 32 strony.
  • Raport Raport Internet i innowacje 2019. 👉 Pasta bez kartonu to zbyt mało. Raport redakcyjny ℹ️ 35 stron.
  • Raport Agencje Public Relations 2019. 👉 Raport opracowany na podstawie badania przeprowadzonego przez Kantar w dniach 5.07-15.07.2019 r. Próbę wyjściową stanowiła grupa 264 osób. W tej fali badania zrealizowaliśmy wywiady z 133 osobami. Raport zawiera prezentację wyników badania 20 agencji public relations. ℹ️ 30 strony.
  • Raport „Agencje Interaktywne 2019”. 👉 Raport opracowany na podstawie badania przeprowadzonego przez Kantar Millward Brown w dniach 5.02-18.03.2019 r. Próbę wyjściową stanowiła grupa 3104 osób. W tej fali badania zrealizowaliśmy wywiady z 1080 osobami. Raport zawiera prezentację wyników badania 47 agencji interaktywnych. ℹ️ 54 strony.
  • Almanach Mediów i Reklamy 2018/2019. 👉 Zawiera ponad 2300 wpisów poszczególnych firm. ℹ️ 298 stron. Edycja wrzesień 2018 r.
  • Food Service nr. 10/2019. Miesięcznik z branży HoReCa. 👉 W numerze: Przyszłość jest roslinna. Marta Dymek – ambasadorka kuchni roślinnej. ℹ️ 94 strony
  • Handel nr. 11/2019. Miesięcznika branży FMCG. 👉 Temat numeru: Tradycja czuje nowoczesność. Raporty Świąteczny. ℹ️ 104 strony o handlu.
  • Lürzer's Archive nr. 5-2019. Najlepsze reklamy na Świecie. Publikacja w języku angielskim. 👉 It seems that the age of evil clowns is upon us. Whether it's in world politics – with the über-clowns Donald Trump, Jair Bolsonaro, Viktor Orban, Boris Johnson, or Matteo Salvini, leading our sorry nations, or the surely not coincidental hype around the Joker cartoon and now a much-discussed movie character, they seem to be everywhere. No wonder then that they have also been popping up in advertising for the past couple of years, such as in the Burger King campaigns shot by Ale Burset from the Lola Mullen agency in Madrid (a campaign which of course references that sappy and unthreatening godfather of them all, Ronald McDonald). And now, advertising being a reflection of society at large and Archive being about the best of advertising at any given moment, an evil clown also made it onto the cover of the latest issue of Lürzer's Archive by way of a campaign issued by the airport of Paris and warning against the dangers of getting into unlicensed cabs. The advertising campaigns you will find in Vol. 5-19 have been selected from the 2,000 plus submissions sent to us by ad agencies from over the past two months. As usual, nowadays, I always get a bit disheartened while choosing the work. Having been doing this kind of thing for more than 32 years now – Archive is celebrating its 35th anniversary this year – I have a strong sense of déjà vu with a lot of the ads I see. So I tend to fret constantly that we need more interesting ideas and executions to fill the pages. And then, when I see the issue laid-out by our art director, Christine Thierry, I’m quite thrilled and find that this latest issue too lives up to our claim to serve as a creative compass through the sea of new campaigns coming out every week. This time around, we present you the print work from a total of 81 agencies from all over the world, the overwhelming majority of them with a single entry and a few sticking out – if just a little bit – by featuring more than one print campaign. Ogilvy & Mather Bangkok has five campaigns featured, VMLY&R São Paulo has four, and five agencies are represented by two campaigns: BBH London, Ogilvy & Mather and Sancho BBDO – both Bogotá – Ruf Lanz Zurich, and Y&R São Paulo. In Film, we selected 39 commercials (TV, Cinema or Online) this time. Here, there is a clear dominance of work from the US, with 15 spots. The US is followed by the UK with five, France with four, New Zealand with three, and twelve other countries with a single film. The Digital section for Vol. 5 has been curated by Paco Conde, founder and CD of LA-based Activista, “a creative company committed to generating social, economic and cultural change“ and who has worked in various agencies in Spain, Brazil, and the UK. The interview with him is titled ”The good news is that print ads can have other formats now.” He selected 15 works, of which seven are from the US, two from the UK and Brazil and single projects from Russia, France, Mexico, and Sweden. The main interview, which you’ll find on the next few pages is with Wain Choi, who spent a long time at Cheil Seoul and is now Chief Creative Officer/EVP at CJ Live City in Seoul, Korea. His interview is called, “Building a playground for creative minds in Korea.” I hope you'll have fun with, and are going to find, lots of inspiration in our latest issue! ℹ️ 128 stron.
  • 200 Best Ad Photographers worldwide 2020/21 – Lürzer’s Archive Specials. 👉 The Cover photo is made by Jonathan Knowles, a skilled and creative specialist in still life, liquids, drinks, food and special effects image making. It’s part of a series of images that is inspired by Salvador Dali, where he experiments with material that is neither liquid, nor solid. Using slime lets Jonathan work with the metaphor of ‘containing something that’s hard to contain.’ It embarks on a contemporary exploration of the irrational. Jonathan’s unique style has earned him award-winning advertising commissions worldwide. Over the past 18 years, Jonathan’s work has been frequently featured in the pages of our magazine and the biennial 200 Best Advertising Photographers book. His signature light painting technique sets him very much apart from others. Whether it is a bottle of gin or a 24 carat diamond, he uses this method to showcase the very best aspects and details of any product. Notable commissions include campaigns for many globally recognized brands, such as Coca-Cola, Smirnoff, Nescafe?, Guinness and Glenfiddich. He is also the creator of the famous O2 bubbles. Outside the studio, Jonathan also shot the video for Black Sabbath’s ‘13’, their first studio album released in the past 34 years. He decided to set the numbers 13 on fire in order to create the most realistic image. The video footage, shot at the same time, played behind the band on their final world tour. The transition to filmmaking has been very much a natural step for Jonathan, as well as a result of commercial pressure. Combining a continuous sequence of visuals and sound into a story, rather than a single image, he claims, has been a fantastic and enjoyable new challenge. He is one of the top ten all time winners in the Graphis Annuals, and has been awarded in both moving image and stills by PDN, D&AD, The Art Directors’ Club of New York, Communication Arts, The International Photography Awards, The Association of Photographers, Campaign, New York Festivals, The Globals, Oneeyeland and others. He has also recently been made a Graphis Master. Jonathan has a passion for science and highly technical approach to image making. His interest lies in producing visual communication that feels natural, authentic and of the highest quality, whether it is at one extreme of macro liquid imagery or producing special effects on location at the other. He does not rely on heavy post-production techniques, and believes that the magic of successful imagery comes from capturing exquisite moments in camera. Only a few days ago, a couple of weeks after we made our cover decision for the 200 Best book, we learned, to our great delight, that Jonathan Knowles has just been awarded ‘Advertising Photographer of the Year’ at the International Photography Awards.. Publikacja w języku angielskim. ℹ️ 475 stron, miękka okładka-skrzydełka.